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The Revenant

Leonardo DiCaprio (Actor), Tom Hardy (Actor), Alejandro G. Iñárritu (Director, Writer) Rated:
R
Format: Blu-ray
4.7 4.7 out of 5 stars 41,614 ratings
IMDb8.0/10.0
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April 19, 2016
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Genre Action/Adventure
Format Widescreen, NTSC
Contributor Duane Howard, Lukas Haas, Alejandro G. Iñárritu, Domhnall Gleeson, Brendan Fletcher, Joshua Burge, McCaleb Burnett, Tyson Wood, Arthur Redcloud, Melaw Nakehk'o, Mark L. Smith, Will Poulter, Paul Anderson, Leonardo DiCaprio, Fabrice Adde, Christopher Rosamund, Kristoffer Joner, Tom Hardy, Robert Moloney, Forrest Goodluck See more
Language English
Runtime 2 hours and 37 minutes
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From the manufacturer

Inspired by true events, The Revenant is an immersive and visceral cinematic experience capturing one man’s epic adventure of survival and the extraordinary power of the human spirit. In an expedition of the uncharted American wilderness, legendary explorer Hugh Glass (Leonardo DiCaprio) is brutally attacked by a bear and left for dead by members of his own hunting team. In a quest to survive, Glass endures unimaginable grief as well as the betrayal of his confidant John Fitzgerald (Tom Hardy). Guided by sheer will and the love of his family, Glass must navigate a vicious winter in a relentless pursuit to live and find redemption. The Revenant is directed and co-written by renowned filmmaker, Academy Award winner Alejandro G. Iñárritu (Birdman, Babel).

DVD Blu-Ray Combo 4K UHD
Customer Reviews
4.7 out of 5 stars
41,614
4.7 out of 5 stars
41,614
4.7 out of 5 stars
41,614
Price $7.60 $8.99 $18.99
Digital HD ✓ ✓
DVD Disc ✓
Standard Blu-Ray Disc ✓ ✓
4K UHD Disc ✓

Product Description

Blu-Ray. While guiding a group of fur trappers across the hostile native-laden Dakotas during a brutal early 19th-century winter, frontiersman Hugh Glass (Leonardo DiCaprio) is mauled within an inch of his life by a bear. When his impatient party elects to push on and leave him to die, he musters the will to live... and embark on a seemingly impossible 200-mile trek in search of vengeance against those who abandoned him. Alejandro G. Iñárritu's striking, shot-on-location achievement also stars Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck. 157 min.

Product details

  • Aspect Ratio ‏ : ‎ 2.40:1
  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ R (Restricted)
  • Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 3.04 ounces
  • Item model number ‏ : ‎ 2311919
  • Director ‏ : ‎ Alejandro G. Iñárritu
  • Media Format ‏ : ‎ Widescreen, NTSC
  • Run time ‏ : ‎ 2 hours and 37 minutes
  • Release date ‏ : ‎ April 19, 2016
  • Actors ‏ : ‎ Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck
  • Dubbed: ‏ : ‎ French, Spanish
  • Subtitles: ‏ : ‎ English, Spanish, French
  • Studio ‏ : ‎ TWENTIETH CENTURY FOX
  • ASIN ‏ : ‎ B01AB0DX2K
  • Writers ‏ : ‎ Mark L. Smith, Alejandro G. Iñárritu
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.7 4.7 out of 5 stars 41,614 ratings

Customer reviews

4.7 out of 5 stars
4.7 out of 5
41,614 global ratings
Where is the case sleeve?!?!
4 Stars
Where is the case sleeve?!?!
EDIT: the picture shown for the product does not have a sleeve anymore so my gripe is now null and void. Continue reading if you want, but you don't have to.ORIGINAL: I love the movie. Thought it was amazing. 5 stars. But the packaging...It came in a well packaged, letter-size, paper holder. No complaints there!My 4 star gripe comes from the fact that the disc case (the blue plastic bit) came without a sleeve. I know that's a dumb thing to get annoyed about, but the picture looks like the blu-ray should come with a case sleeve and it doesn't. I like my disc cases to look pretty and it doesn't. It looks naked. I mean if I didn't care about how it looked then I would buy the digital version of the movie or just stream it. I buy the blu-rays because I'm slightly old school and I like the discs. The case just looks funny without a sleeve.So, if you want a case sleeve with this movie, buy it somewhere else. If you just want the disc inside the case, buy it here off Amazon.Rant over.Now that's said, I'm keeping the movie. Nothinng wrong with the disc or the case. Just doesn't look as nice as I would like it too.Picture of The Revenant, just as I received it, with Birdman as a comparison (with a beautiful sleeve).
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Top reviews from the United States

Jesse Rivera
5.0 out of 5 stars Awesome, awesome movie
Reviewed in the United States on April 12, 2024
Verified Purchase
I like how they run the scene where he’s being attacked by a bear. You just feel like if it’s real and you’re there it was well well done and the story is awesome. His acting is unbelievable. DiCaprio did a great job with this movie. I purchased it. I seen it a whole bunch of times I love it.
2 people found this helpful
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Amazon Customer
5.0 out of 5 stars Good movie
Reviewed in the United States on May 4, 2024
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My fiancé says it’s a good movie.
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Bruce Wilsterman
5.0 out of 5 stars Great movie!
Reviewed in the United States on April 12, 2024
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My daughter took me to see this at the theater. WOW! This is actually a replacement for one I lost. I must have loaned it to someone and never got it back.
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db
5.0 out of 5 stars Five Stars!
Reviewed in the United States on April 30, 2024
Verified Purchase
Possibly Leo’s best to date
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libmeister53
4.0 out of 5 stars Really good movie
Reviewed in the United States on March 29, 2024
Verified Purchase
This was my second time to watch this movie and it was just as exciting as the first time I watched it. Two of my granddaughters were here to watch it with me. The older one, age 14, liked it very much. The younger one was not very interested in it and that's okay because she's a little young for it.
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Consola
5.0 out of 5 stars A+++++
Reviewed in the United States on April 18, 2024
Verified Purchase
Second time we have watched this movie. So Awesome.... kept you on the edge of your seat. Unbelievable acting.
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Pandora
5.0 out of 5 stars BEST LEO MOVIE EVER
Reviewed in the United States on April 10, 2024
Verified Purchase
I really believe this is his best film by far. It has given me a life long fear of bears, I’ll never forget that scene.
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Krystalanne Gomez
5.0 out of 5 stars Wow. Powerful.
Reviewed in the United States on April 11, 2024
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I love this movie. Everyone should it at least once. But surely they'll want to see it again.
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Top reviews from other countries

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Omar Islas
5.0 out of 5 stars El Renacido!!!!
Reviewed in Mexico on October 29, 2021
Verified Purchase
Que puedo decir, una película excelente. El Bluray se ve increíble, pero el Disco 4k UHD es algo impresionante y el HDR es maravilloso. Una compra excelente y para los que quieren ampliar su colección de películas en 4k es una compra obligada
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Raphaël
5.0 out of 5 stars Grandiose
Reviewed in France on January 2, 2024
Verified Purchase
DiCaprio est monstrueux. Les images incroyables
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raffaele
5.0 out of 5 stars Ottimo film
Reviewed in Italy on November 10, 2023
Verified Purchase
Colonna sonora notevole
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Gilbert Faes
5.0 out of 5 stars Aankoop The Revenant ( Blu-Ray )
Reviewed in Belgium on October 4, 2023
Verified Purchase
100% OK Goede verzending en besteld item beantwoorde volledig aan de beschrijving
van de verkoper ( uiterst tevreden )
:-):-):-)
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J. L. Sievert
5.0 out of 5 stars Into the wild
Reviewed in the United Kingdom on September 18, 2016
Verified Purchase
Alejandro Inárritu, the director of the film, has previously taken some hits from professional critics. He’s one-dimensional some say. He relies too much on filmic techniques to spin his narratives (dissolves, soft focus, slow-mo, steadicams for action). Duly noted, though I’m largely unimpressed by these critiques. Some critics complain for a living, so they will always find things to complain about. Never mind that they could never do what artists do, which is why they are critics, not artists. François Truffaut, rare and magnificent exception, was both. His love of film and film writing made him the auteur he was.

Inárritu is a master of creating mood and atmosphere. He achieves this through music (minimalist, haunting) and natural sounds (thunder, rain, rushing water, waterfalls, creaking trees, crackling fires, birdsong, the wind) but mostly through his visuals. If one has the eye of an artist, use it. He does. His aesthetics are subtle and create the illusions he seeks.

I watched the film in the comfort of my own home, unthreatened by rainstorms, rushing rivers, snowfall, nights spent out in the open, wild bears and treacherous human beings. You probably did too or will so the same. None of us views a film in the conditions where events in it take place. Yet the photography here is so powerful it creates the sensation we are in that wild world. I understand now why the film won several awards, including Academy Awards for best director and cinematography (Emmanuel Lubezki). Leonardo DiCaprio finally won an Oscar too. Did he deserve it? You can decide. I say he did. He’s half human, half savage beast in this. He fights a grizzly with a knife and kills it before it can kill him, though the bear more or less shreds him. This provides the turning point in the narrative. Gravely injured and left for dead by his fur-trapper comrades, he must find a way to heal and survive, driven by an overwhelming sense of injustice that fuels his desire for revenge.

The environment, though extraordinarily beautiful, is harsh, grim, hostile, unforgiving. The human situation is equally bad. The incursions of white men (French, English, American) into the wilderness have created chaos and anxiety for the local tribes. The Pawnee, Sioux and Arikara are at each other’s throats, and all of them hate the Europeans for their savagery and duplicity. In one scene a French fur trapper named Toussaint accuses the Pawnee people of dishonesty. Their chief speaks to him as follows:

“You stand there and talk to me about honour? You have stolen everything from us. Everything. The land. The animals. And now my daughter Powaqa.”

She was kidnapped by French trappers and made a sex slave to satisfy their appetites. Part of the narrative is a search for her that mirrors the search of Hugh Glass for the men who have wronged him, abandoning him to die alone in the wilderness.

Hugh (played by Leonardo) is a guide to the region. He has lived there for years and the trappers depend on his geographical knowledge and tracking skills. His wife was Pawnee. She was killed not long ago by a raiding party of white men, probably French. He has a son named Hawk who is maybe 16. Hawk means all the world to him now. The son can speak a little English but mainly he and his father speak in Pawnee. I say speak when I really mean whisper. It’s a soft language, quite gentle. Father and son are always quite physically near one another when speaking it. It feels intimate and poetic with many soft vowels, which may not be surprising considering where it evolved — among forests and rivers, valleys and mountains and pristine skies. There is always a temptation to romanticise the so-called noble savage, but it’s true that some tribes were more peaceful than others. The Pawnee seem to have been one of these. If they fought it wasn’t to gain territory but to protect their own. But now they are caught in a crossfire between other Indian groups and the Europeans.

Hugh’s ability to speak Pawnee sets him apart from his kind. He may be white but, like the Pawnee, he belongs to the land and they see this about him. He has learned to think and act as they do. Also, he married into them and it’s clear his wife was no token squaw for him. He loved her deeply. We know this because we see her in his recurring dreams and memories. She is lovely and he grieves for her still, so Hawk is a precious link of his to her and to the lost world they shared.

The film begins in the late summer or early autumn of 1823. But the seasons come and go quickly and most of the drama occurs in deep winter. Hugh is attacked and injured by the grizzly in the autumn. By the time he is abandoned winter is almost setting in. Three persons from the trapping party remain behind to nurse and protect him: his son Hawk, a young trapper named Jim Bridger (maybe 19) and John Fitzgerald, a Texan with a mean streak in him. Only two of these persons will depart from Hugh when the time comes, but I will say no more about this.

Hunger for redemption, justice and revenge all form part of Hugh’s journey. The physical place he will return to, if he can, is called Fort Kiowa in South Dakota, over 300 km distant from the scene of his attack. But hardship, exhaustion and danger will be with him throughout: weakness and fatigue, harsh weather, little food, aggressive Arikara Indians (also called the Arikaree or Ree), and equally brutal French trappers.

The story is true. The real Hugh Glass (1783-1833) survived. He was a revenant, a man returned from the dead. But the filmmaker has taken creative liberties, as filmmakers often do. One or two scenes seemed too improbable for me to accept, one in particular involving a horse and a cliff. But it doesn’t detract greatly from the integrity and beauty of the film.

Stark beauty, I should say, a beauty that masks potential terrors. Wilderness for most of history was a frightful thing. Our holy books and even fairy tales warned us against it. It’s wild, untamed, dangerous. It has, so to speak, a mind of its own and won’t play by our rules. It lacks respect for civilisation and morality. This is its menace: it’s disregard for the significance of man and his achievements. So we see it as hostile, or traditionally have. We are wary and enter it armed to protect ourselves. If it is to be accommodated, this can only be done by the force of our weapons.

The native view, the outlook of those who live in it (or did), is different. They’re at home among its harsh splendours. They’re aware of danger in it but do not see wilderness as threatening. They are used to wildness and have learned to cope with it, adapting to it. For thousands of years they have endured and prospered in it. It’s the newcomer, the white man, who is fretful. It’s he who trembles in its midst. He’s not to be trusted, as anxiety makes him trigger happy. He’s a trespasser with no business being here. Given enough power, time and freedom, he will ruin what he passes through. The natives know this but cannot stop him. He is a malevolent force.

We see this menace directly in the minds and personalities of some white men who venture into the wilderness. Not all. Andrew Henry, an army captain who heads the group whom Hugh escorts, is a fair and decent man. Young Jim Bridger is also honest and trustworthy. But these are exceptions. By and large the better human beings Hugh encounters are native. They know compassion.

If some of the characters are a bit sketchy, I think it’s O.K. Hugh Glass, Andrew Henry, John Fitzgerald and Jim Bridger are fully drawn, and these are the main ones that count. Other characters that matter in the film are non-human: mood and atmosphere, as previously stated; also, landscapes and vistas. The land is immense, its mountains and horizons curtailed only by an equally immense sky. Man is a small creature in this setting, dwarfed by the grandeur of creation. Nature is the dominant character here, its presence profound.

John Muir once said the same about Yosemite. Only after he arrived there, he wrote, did he find his true place and scale in the world. Until then he had been a wanderer without proper bearings, noticing little or not enough in his surroundings. But in Yosemite, awed by the majesty of all that surrounded him, his view became spiritual and cosmic.

On one view the film celebrates the indomitable spirit of man, his instinctive will to survive. On another, intentionally or not, it celebrates what Muir felt. We may be reaching a turning point in human history where we stand to lose a vast and precious world treasure if we don’t learn how to better protect and preserve our wilderness areas for future generations. The World Wildlife Fund says that 40% of the earth’s biodiversity has disappeared since 1970. You might want to pause for a few moments to let that statement fully sink in. It’s hard to take in, I know, but it needs to be understood and acted upon or the wanton, mindless destruction will continue.

Joni Mitchell once sang that “they paved paradise and put up a parking lot.” Hugh Glass wouldn’t have understood what she was singing about, but both John Muir and we do.
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